Archive for the ‘ Antelope Canyon ’ Category

Slot Canyon Glow

Image 1: The interior walls of Upper Antelope Canyon glow from sunlight penetrating from above. Shot with a Sony α900 and a Sony SAL 20mm lens. Image exposed at ISO 100 at f14 for 2 seconds.

Image 2: Reflected light reaching down into Lower Antelope canyon literally causes the walls to glow. Shot with a Sony α900 and a Zeiss 24-70mm lens at 28mm. Image exposed at ISO 100 at f14 for 2 seconds.

I was searching through some of my site statistics and noticed I had a request for the best lenses for shooting inside a slot canyon. So here are 2 images shot this year in Upper and Lower Antelope Canyon in April. At this time of the year the sun is rising higher in the sky and the light more fully penetrates into canyon. The first image was shot at 10:30 in the morning and the walls were glowing.

Slot canyons do come with some challenges including diminished light and narrow, almost claustrophobic space. Additionally, the light moves within the canyon as the sun passes overhead. Within minutes a once glowing wall will be plunged into shadow. My Sony 20mm f2.8 lens is one of my favorites for tight spaces. I also use a Zeiss 24-70 f2.8. The advantage in using the 24-70 is getting the wide angle view but having the flexibility to zoom in for more detail or to isolate an area. My exposures range from 1 to 2 seconds to well over a minute at ISO 100. To mitigate camera shake I recommend shooting in mirror lock-up mode. I shoot in manual mode: manual metering and manual focusing.

I have been asked about filters and I do not use them in the slots. For a shot like Image 1 I will increase the white balance to 6000 to accentuate the warmer colors. You can also achieve this effect by shooting with the shade color balance setting.

Image 2 was shot in Lower Antelope canyon in the early afternoon. This canyon is deeper and the light penetrates later than Upper Antelope. The effect here is other worldly. The canyon wall appeared to glow from within. Again no filters were used, only an adjustment with the white balance.

I would encourage anyone visiting the Page area to take the time to go to Antelope Canyon. If you do you can book your visit with Carol Bigthumb at Adventurous Antelope Canyon Photo Tours.

As far as equipment you will need a good wide angle such as a 20 or 28mm, and a medium range zoom can help isolate details. A tripod is a necessity. And flash is not allowed inside the canyons.  When you go please respect the canyon and your hosts. They are places of immense beauty and serenity. And perhaps if you are lucky, as the soft notes of a flute echo off the canyon walls you will feel the heartbeat of the place.

Bob

A Christmas Angel

Sunlight entering through the top of Upper Antelope Canyon creates the shape of an ascending angel. Sony a900 with Sony SAL 20mm lens, f16 at 12seconds.

It  is Christmas Eve and this post hopes all who read it are well. I shot this image in Upper Antelope Canyon and though I was immediately attracted to the luminance of the scene it was not until I previewed the photographs that I saw what I had captured. For me the image is so distinct and I am amazed every time I see it. Antelope Canyon is a special place full of power and spirit. But when you go you must stop and let the canyon envelope you and the visions will come. Whether you see an angel or a bird in this image is not really important. But hopefully you see a spirit in the image that represents the life and breath of the canyon and the Navajo’s who call this place home. I have returned to this spot on several occasions and have yet to see it again.

Merry Christmas

Lane in Antelope Canyon

Lane Bigthumb soothing the savage photographer in Upper Antelope Canyon, Arizona.

Well the winter storm has subsided and we are left to dig out of 18+ inches of snow. Its late and I’m still up so I thought I would post a portrait from Antelope Canyon. My model is Lane Bigthumb, my Navajo guide and son of Carol Bigthumb. Carol has been my guide for all my trips to Antelope Canyon. Carol ‘s family has the grazing rights to the land where Upper Antelope Canyon, Rattlesnake Canyon, and Mountain Sheep Canyon are located. You can get information on her trips at Adventurous Antelope Canyon Tours, or contact her at cbigthumb@yahoo.com. You can see more of my Antelope Canyon images on my website at Robert H. Clark Photography.

The shot was made just inside in the main gallery of Upper Antelope. I was shooting a formation when Lane started to play. Though fairly subdued there was some very nice light on Lane and I liked the way he was framed. So I quickly turned the camera on him and used my headlamp to throw a little light on his face. In case you are wondering, out of respect for Lane and the spirit of the canyon, I did ask permission to photograph him. So as the sound of the flute echoed through the canyon I shot several images. Motion was a problem however and the image is a little soft but I like it nonetheless.

Shot with a Sony a900 with a Zeiss 24-70mm lens, set to 35mm and f4 at 3 seconds. The RAW image was processed in Adobe Lightroom and Photoshop. In order to improve the contrast I used an inverse overlay with a Guassian Blur set to 40.0 pixels. This is in effect a contrast mask and it helped open up the shadows. There are a few basic curves for Lane and the background and a slight saturation adjustment.

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