Archive for the ‘ Grand Circle ’ Category

Slot Canyon Glow

Image 1: The interior walls of Upper Antelope Canyon glow from sunlight penetrating from above. Shot with a Sony α900 and a Sony SAL 20mm lens. Image exposed at ISO 100 at f14 for 2 seconds.

Image 2: Reflected light reaching down into Lower Antelope canyon literally causes the walls to glow. Shot with a Sony α900 and a Zeiss 24-70mm lens at 28mm. Image exposed at ISO 100 at f14 for 2 seconds.

I was searching through some of my site statistics and noticed I had a request for the best lenses for shooting inside a slot canyon. So here are 2 images shot this year in Upper and Lower Antelope Canyon in April. At this time of the year the sun is rising higher in the sky and the light more fully penetrates into canyon. The first image was shot at 10:30 in the morning and the walls were glowing.

Slot canyons do come with some challenges including diminished light and narrow, almost claustrophobic space. Additionally, the light moves within the canyon as the sun passes overhead. Within minutes a once glowing wall will be plunged into shadow. My Sony 20mm f2.8 lens is one of my favorites for tight spaces. I also use a Zeiss 24-70 f2.8. The advantage in using the 24-70 is getting the wide angle view but having the flexibility to zoom in for more detail or to isolate an area. My exposures range from 1 to 2 seconds to well over a minute at ISO 100. To mitigate camera shake I recommend shooting in mirror lock-up mode. I shoot in manual mode: manual metering and manual focusing.

I have been asked about filters and I do not use them in the slots. For a shot like Image 1 I will increase the white balance to 6000 to accentuate the warmer colors. You can also achieve this effect by shooting with the shade color balance setting.

Image 2 was shot in Lower Antelope canyon in the early afternoon. This canyon is deeper and the light penetrates later than Upper Antelope. The effect here is other worldly. The canyon wall appeared to glow from within. Again no filters were used, only an adjustment with the white balance.

I would encourage anyone visiting the Page area to take the time to go to Antelope Canyon. If you do you can book your visit with Carol Bigthumb at Adventurous Antelope Canyon Photo Tours.

As far as equipment you will need a good wide angle such as a 20 or 28mm, and a medium range zoom can help isolate details. A tripod is a necessity. And flash is not allowed inside the canyons.  When you go please respect the canyon and your hosts. They are places of immense beauty and serenity. And perhaps if you are lucky, as the soft notes of a flute echo off the canyon walls you will feel the heartbeat of the place.

Bob

Rocks and Lichen

Serrated slabs of sandstone covered in lichen, Zion National Park, Utah. Shot with a Nikon D300 and Nikkor 12-24mm lens at 24mm. The image was shot a f14 at ISO 100 for 1/25 of a second.

We have all heard the expression that at times “we cannot see the forest for the trees.” Well in photography sometimes it pays to take a moment to look at the trees. We can get so fixated on the grand vista or recording a scenic wonder that we fail to look more intimately at what lies before our feet. This image is a case in point. I was struggling with a shot of the Watchman in Zion National Park when I just took a breather to clear my thoughts. It was a that point that I saw this incredible layered rock covered in multi-colored lichen. Beautiful light allowed the rock fins to glow. If I had not taken that moment to just be in the landscape I would have missed this wonderful composition.

For more information on Zion National Park go to http://www.nps.gov/zion/index.htm

Badlands Butte

Highway 89 heads north from Flagstaff, Arizona up to Page. It is a road I love to drive because the landscape changes so dramatically. North of Cameron, 89 runs through portions of the Navajo Nation. The landscape here is desolate and beautiful. I have always been fascinated with the eroded hills and buttes in this area. I know this particular butte very well having passed it on many trips up to Page. Each time I have passed it in the wrong light. Heading back to Flag late one afternoon I finally arrived with the right light to take a photograph. The butte was beautifully side lit, nice clouds drifted overhead, and the red hills in the distance glowed. This image is the Featured Print this month on my website, http://roberthclarkphotography.com

A badlands butte on Navajo lands stands tall in the late afternoon sun. Sony α900, Zeiss 24-70mm lens at 28mm, f14 at 1/50 sec.

A Christmas Angel

Sunlight entering through the top of Upper Antelope Canyon creates the shape of an ascending angel. Sony a900 with Sony SAL 20mm lens, f16 at 12seconds.

It  is Christmas Eve and this post hopes all who read it are well. I shot this image in Upper Antelope Canyon and though I was immediately attracted to the luminance of the scene it was not until I previewed the photographs that I saw what I had captured. For me the image is so distinct and I am amazed every time I see it. Antelope Canyon is a special place full of power and spirit. But when you go you must stop and let the canyon envelope you and the visions will come. Whether you see an angel or a bird in this image is not really important. But hopefully you see a spirit in the image that represents the life and breath of the canyon and the Navajo’s who call this place home. I have returned to this spot on several occasions and have yet to see it again.

Merry Christmas

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